![]() ![]() The result is not as neat as the cloning method, but can work well for certain effects and fonts, with the advantage of only having one object to deal with, and being able to reuse the filter on multiple objects (and not necessarily just text) if needed. Finally a merge filter stacks all the sections together, and puts the original text object on top. Converting text into the path is as simple as we convert stroke to the path but you should keep some points in your mind during doing this for different. These three parts are repeated for each outline required - twice in this case, but if you use several repeats with large dilation and gaudy flood colours you can get some groovy 70s effects. This will create a frame for a flowed text with a blue border, in which the text can be inserted. The amount is set in the filter - the first instance is larger, as it produces the outer outline the second is smaller for the inner outline.ģ) A composite filter that basically clips the flood filter to the size and shape of the morphology output, resulting in some slightly grown text, filled with colour. a silhouette of it), and grows it by a few pixels using 'dilate' mode. ![]() Instead the colour is manually set in the filter.Ģ) A morphology filter that takes the alpha of the text (i.e. Ideally this could connect to the 'Fill Paint' input so the outer outline would match the fill of the text (or the 'Stroke paint' for the inner outline), but that doesn't work in Inkscape. If you look at the filter editor it looks complex, but boils down to two sections, each of three parts:ġ) A flood filter to set the outline colour. Here's an example of using filters for this. ![]()
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